论文部分内容阅读
如今这个数码普及化的时代,人人都会拍照,摄影已从狭隘的政治宣传功能中解脱出来,回到摄影者从个人体验出发的行为范式中,这是一个影像爆炸、影像狂欢的年代,作为一个摄影者能较自由地使用相机,同时也面临着诸多挑战:如何让自己的影像在每天诞生的上亿张图片中脱颖而出?如何使摄影不仅是一场自娱自乐的视觉游戏,而是拍摄者对历史、现实的观看、解构?尤其是纪实摄影师,如何超越“手艺”式的技术痼疾,与社会现实问题“共生”?如何通过对被观察对象进行持续深入地调查和拍摄,展现中国人真实的生存状态?如何使
Nowadays, when digital popularization is in place, everyone will take pictures. Photography has been freed from the narrow political propaganda function and returned to the paradigm of photographers starting from personal experience. This is an era of image explosion and image carnival as A photographer can freely use the camera, but also faces many challenges: how to make their own image in the hundreds of millions of pictures each day stand out? How to make photography is not only a fun visual game, but How do the photographer view and deconstruct the history and reality, especially the documentary photographer, how to transcend the technical and technical problems of social reality and social symbiosis? How to conduct a continuous and in-depth investigation of the observed objects? And shooting, to show the true Chinese living conditions? How to make