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我认为,绘画中观察和表现色彩应从“结构要素”着手。众所周知,“点”、“线”、“面”、“体”是造型艺术最基本的结构要素,同时也是实实在在的、不被人的感觉所左右的物象形态状貌的具体反映。在一定环境条件下,客观物象的色彩以“点”、“线”、“面”、“体”为视觉单位一一呈现出来,其中包括色块的面积、色块的形状和位置及与之相关的色相、明度、纯度诸因素。对色彩“结构要素”进行不同的处理,画面就会产生截然不同的色彩效果。实践告诉我们,当客观物象的色彩被概括归纳成几何平面时,色块便是色彩结构的主要元素,对画面的色调具有决定性的影响。当红色块面占据画面较大位置时,红色起主导作用,色调倾向于红;当绿色块占据画面较大优势时,绿色起主导作用,色
In my opinion, the observation and expression of colors in paintings should start with “structural elements.” As we all know, “point”, “line”, “surface” and “body” are the most basic structural elements of plastic arts and they are also concrete examples of physical appearance that are not influenced by people’s feelings. Under certain environmental conditions, the color of objective objects is presented in visual units such as “point”, “line”, “surface” and “body”, including the area of the color patch, the shape and location of the color patch, Related to hue, lightness, purity and other factors. Different colors of the “structural elements”, the picture will produce a completely different color effect. Practice tells us that when the color of the objective objects is generalized to a geometric plane, the color patches are the main elements of the color structure and have a decisive influence on the color tone of the picture. When the red block occupies a larger screen position, red plays a leading role, the color tends to red; when the green block occupies a larger advantage of the screen, the green play a leading role, the color