《中国书法》刊授的教材为什么最后确定现在这六种碑帖呢?除了考虑有真、草、行、隶、篆书体以外,更主要是这六种经典书法作品在书法史上都具有不可替代的作用。下面我要阐述的问题就是它们的作用与特色,以便给大家的学习提供一些参考。一、《石鼓文》——宗周风范与小篆的确定小篆是怎样出现的?我们学习篆书从何处入手?石鼓文与小篆之间的关系又是什么?在中国书法的发展历史秦以前的部分较为简单,一般地讲其演变的过程是从甲骨、金文、小篆再到隶书。但这条发展脉络却又是不甚清晰的。中国的文字在春秋战国时是极为复杂的,当时各种书体几乎是同步存在的。甚至可以说是五花八门的。当时的文字体系主要有:以山东为中心的齐系文字,以湖南湖北楚国为中心的楚系文字,以北方为主的燕系文字等等。这些地区性的文字相互间有着很大的差异,如中山国的金 Why do the textbooks published in “Chinese Calligraphy” finally determine the six types of rubbings? Besides these, there are six classic calligraphic works that are irreplaceable in the history of calligraphy . The problem I will elaborate below is their function and characteristic, in order to provide some reference for everybody’s study. First, the “Stone Drum” - the style and seal Xiaozhu Xiao Zhouzhuan is how to identify? We learn the seal from where to start? The relationship between Stone Drum and Xiaozhuan What is the history of the development of Chinese calligraphy before the Qin part Simple, generally speaking, the evolution of the process from the Oracle, Gold, Xiaozhuan to scriptures. However, the development context is not very clear. Chinese texts were extremely complicated in the Spring and Autumn Period and the Warring States Period, when various book forms existed almost simultaneously. Can even be said that a wide variety. The text system at that time mainly consisted of homogeneous text centered on Shandong, Chu text centered on Chu State in Hubei and Hubei Provinces, Yan text on Northward, and so on. These regional texts are very different from each other, such as the gold of Zhongshan