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如果说东方传统绘画观念倾向于通过对现实的综合表现心里真实;那么西方的传统绘画观念就似乎倾向于通过现实的分析表现客观现实的真实.在西方,对客观真实的迷恋至少从古希腊即已见睨端,文艺复兴直到赛尚,以及其后出现的立体诸派,乃至抽象派(主要指冷抽象)几乎无不以追求客观真实自诩,新造型主义的代表蒙德里安就真诚地认为他所追求的乃是真正客观的“纯粹实在”.纵观一部西方美术史,我们可以发现表现客观真实的多种可能性.文艺复兴到印象派的三、四百年里,在欧洲发展并成熟了通过摹拟或再现事物表象以反映社会生活的体系.与现代绘画对立,
If the concept of oriental traditional painting tends to be true to the heart through the comprehensive performance of reality, then the concept of traditional painting in the West seems inclined to reveal the reality of objective reality through realistic analysis.In the West, Has seen the end, the Renaissance until 赛 尚, and the subsequent emergence of three-dimensional schools, and even the abstract school (mainly refers to the cold abstraction) Almost invariably pursue the objective reality, the new stylist representative Mondrian on sincerely think What he pursued was a truly objective “pure reality.” Looking at the history of Western art, we can find many possibilities for expressing objective reality.From the Renaissance to the Impressionist three or four hundred years, the development in Europe And matured by imitating or reproducing the appearance of things to reflect the social life of the system and the opposite of modern painting,