小琼:上期我们聊了史上歌剧院规模的演变,今天仍想进一步谈谈“歌剧观赏的综合体验”。小薇:还记得,我们讨论过不同歌剧院中,座位的安排及布局。其中特别谈到了莫扎特时期的贵族包厢式结构。随着歌剧的发展演变,到了瓦格纳时期,它最终被拜罗伊特节日剧院内“大陆板块式座位”所取代。小琼:一所剧院的建设,包含的不只是观众们坐下来观戏的那一块区域的设计。实际上,它还包括了从观 Xiao Qiong: We talked about the evolution of the history of the Opera House in the last issue and still want to talk about “the comprehensive experience of opera appreciation” today. Wei: Remember, we discussed the arrangement and layout of seats in different opera houses. In particular, they talked about the aristocratic box-type structure during the Mozart period. As the opera developed and evolved, by the time of Wagner, it was eventually replaced by the “continental plate seat” in the Bayreuth Festival Theater. Joan: The construction of a theater encompasses more than just the design of the area where the audiences sit down and watch the show. In fact, it also includes the concept