古玩作伪,自古有之。一部中华文物史,也就是一部文物作伪的历史,对文物的历史,专家们已经说得比较清楚了,但是文物作伪的历史,诸如它的发生、发展、作伪的方法、贩伪的方式、作伪者的心态以及对文物史的影响等等,却一时无法说得清楚。伪瓷品、伪玉器、伪字、伪画、伪古籍就这样充斥于我们所要继承的古今文化遗产中。但伪作并不等于拙劣,作伪者有 Antiques antiquity, since ancient times there. A history of Chinese relics, that is, the history of a cultural relic as a pseudo, has been clearer to the history of cultural relics, but the history of artifacts such as its occurrence, development, falsification and fake mode , The mentality of the fake and the impact on the history of cultural relics, etc., but can not be said for a while. Pseudo-porcelain, jade artifacts, fake words, fake paintings, fake ancient books are so filled with the ancient and modern cultural heritage we want to inherit. However, the fake is not equal to clumsy, pseudo-persons have