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从毕业到现在,当时谈到雕塑的界限这样的话题相当的大的,对什么是雕塑这样的问题很困惑的同时,更多的还是在怀疑谈论雕塑的界限这样假大空的问题有意义吗?这么大而化之的问题会让我的作品做的更好吗?当时也曾尝试破解这个命题,但是当时的我并没有把这些散碎的点联系起来,另外那个时候什么是绘画,什么是雕塑,什么是装置,什么是影像……一股脑的思考,后来觉得这么想下去没什么用,
From graduation to the present, at that time talking about the sculptural boundaries of such a big topic, what is the sculptures such problems are confused, more or suspect the boundary of sculptures so fake a big problem? Will such a big problem make my work better? At that time, I tried to crack this proposition, but I did not associate these scattered points at that time. In addition, at that time what was painting and what was Sculpture, what is the device, what is the image ... ... brainstorming, and later think it would be useless to think so,