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应希腊卡拉玛塔市音乐学院院长、雅典音乐学院小号教授尼古拉·圣杜利斯博士的邀请,我于今年3月25日赴希腊卡拉玛塔音乐学院和雅典音乐学院进行了为期10天的美、中、希三国小号教授大师班的讲学及演出活动。 希腊的铜管演奏有着很悠久的历史,尤其以小号和长号较为突出,水平比较高。音乐学院的教师大多是由职业交响乐团的演奏者来兼任,所以在训练上,比较注重教学与实践相配合。希腊在地理位置上属于南欧,与欧洲在音乐语言上较为接近。很多音像资料、乐谱及其信息能较快地得到,音乐会等演出活动也比较频繁,这就为希腊铜管演奏水平的提高和发展提供了很好的发展空间。
At the invitation of Dr. Nicolas Santulis, dean of the Karamata City Conservatory of Music and Trumpet Professor of the Athens Conservatory of Music, I went to Karamata Conservatory of Music and Athens Conservatory of Music for a period of 25 March this year 10 days of the United States, China and Greece trumpet professor master class lectures and performances. Greek brass has a long history of playing, especially with the trumpet and trombone, with a high level. Most of the teachers in the conservatories are part-time students of the professional symphony orchestra. Therefore, in training, more emphasis is put on teaching and practice. Greece belongs geographically to southern Europe, and Europe is closer to the musical language. Many audio-visual materials, music scores and their information can be obtained quickly, and concerts and other performance activities are also frequent, which provides a good space for development and improvement of the Greek brass performance.