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岩石崇拜是蒙古史诗中反映出来的原始信仰的一种。蒙古史诗中描述主人公的形象或叙述情节时都能体现出来岩石崇拜。岩石崇拜在描写主人公的神圣和力大无比时起着重要艺术审美作用。主人公在岩石里怀胎出生;主人公手里持着岩石或战刀出生;主人公变成岩石而持有了神力的三个母题所反映的文化意识是在当时存在的神话意识的基础上产生的,是岩石神圣化的信仰意识和崇拜力量的艺术审美观念相结合的产物。艺术手法方面来看,岩石崇拜是在当时人们形象思维的基础上被创造的,是神话思维及人与自然融为一体观念相结合的产物。
Rock worship is one of the primitive beliefs reflected in Mongolian epics. In the Mongolian epics, the image of the protagonist or narrative plot can all reflect the rock worship. Rock worship plays an important artistic aesthetic role in describing the hero’s sacredness and power. The protagonist was born in a rock with a fetus; the protagonist was born with a rock or a sword; the cultural consciousness reflected in the three motifs of the protagonist becoming a rock and holding the divine power was generated based on the mythological consciousness that existed at the time; The product of the combination of the sacred belief in the rock and the artistic aesthetic of the worshiping force. From the aspect of artistic technique, rock worship was created on the basis of the thinking of the people at that time. It is the product of the combination of mythological thinking and the integration of man and nature.