对于纪录片真实境界的探讨面临着一种理论上的悖论:一方面。所有的理论家都执着于真实的原则性,将它定为纪录片的本质特性;另一方面,无论是从操作的可行性还是从边缘学科比如说心理学、伦理学的理论,我们都不得不承认要达到真正意义的真实是一种理想。对此钟大年曾经精辟地指出:真实性是纪录片的本质属性,对于创作,它只存在于创作者的良心中。 The discussion of the real world of the documentary faces a theoretical paradox: on the one hand. All the theorists are clinging to the principle of truth and setting it as the essential feature of the documentary. On the other hand, both from the feasibility of the operation and from the theory of the marginalized subjects such as psychology and ethics, we all have to It is an ideal to admit that it is true to achieve the true meaning. To this, Zhong Dian once pointed out incisively: Authenticity is the essential attribute of a documentary. For the creation, it only exists in the creator’s conscience.