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敦煌石窟艺术以精美的塑像和壁画闻名于世,雕塑艺术和壁画艺术是敦煌石窟艺术中最重要的艺术形式,它与石窟建筑艺术共同构成敦煌艺术的整体面貌。从十六国前秦时期,经北朝、隋、唐、五代、西夏、元明清历代的兴建,形成了规模宏大、内容丰富,风格多样的石窟艺术,为后世留下了一笔丰厚的艺术遗产。敦煌北朝时期的石窟塑像造型独特、壁画场面宏大,气势恢弘,色彩瑰丽典雅,建构形式多样,也是隋唐之前佛教艺术的主体。本文就敦煌257窟的塑像及壁画在整体空间中的组织形式及独特的构图方式进行分析,以表明它独特的艺术魅力。
Dunhuang Grottoes is famous for its exquisite statues and frescoes. Sculpture and mural art are the most important forms of art in Dunhuang Grottoes. Together with the architectural art of Grottoes, Dunhuang Grottoes constitute the overall appearance of Dunhuang art. From the pre-Qin period of the 16 countries, through the construction of the Northern Dynasties, Sui, Tang, Five Dynasties, Xixia, Yuan, Ming and Qing dynasties, a large-scale, rich and varied style of grotto art has been formed, leaving behind a generous art for later generations heritage. Dunhuang during the Northern Dynasties of the unique statues of grottoes, frescoes scenes grand, magnificent, magnificent and elegant colors, various forms of construction, but also the main body of the Buddhist art before the Sui and Tang Dynasties. This article analyzes the organization form and unique composition of statues and murals in the whole 257 cave of Dunhuang to show its unique artistic charm.