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叶灵凤在1931以后从先前的伤感恋情小说开始转向对都市女性的细腻的描绘,他在1931年后的短篇爱情小说所表现出来的那种淡淡的青涩纯真的大都市男女两性间的感情与新感觉派的穆时英、刘呐鸥等所表现得那种快速生成的带有交易性质的男女双方各自心怀鬼胎的泡沫爱情不一样。这一时期叶灵凤的短篇爱情小说中表现出很多自己的特色,塑造了不同于穆时英刘呐鸥等作家笔下的另一种都市女性形象;他善于用假借、借代手法将小说女主人公意象化;整体风格淡雅、舒缓,展现了另一种都市生活面貌。
After 1931, Ye Lingfeng turned to the delicate portrayal of urban women from the previous sad romance novels, the feelings and new feelings between men and women of metropolitan city in his short love story after 1931 Feeling the faction Mu Shiying, Liu Naou such as the performance of the kind of rapid generation with the transaction nature of both men and women have their own ghost bubble love is not the same. During this period, Ye Lingfeng’s short love story shows a lot of his own characteristics, which is different from that of other urban women written by writers like Liu Naou in Mu Shiying. He is good at using the method of borrowing images to depict the heroine of the novel The overall style of elegant, soothing, showing another face of urban life.