从根本上说,现当代艺术的活力是源于社会剧烈变革时期的“旧体制”与“新感受”之间的巨大张力。就西方艺术而言,直接在艺术中体现这种“新”与“旧”之间的对抗,至少可以追溯到大卫。大卫的“新古典主义”与“洛可可”之间的对立,首先就是新兴资产阶级的“公民责任”与贵族的“享乐趣味”之间的对立;而在随后爆发的t“线条”与“色彩”的激烈对抗的背后,则是安格尔所代表的社会主流派与德拉克洛瓦所代表的怀疑派截然不同的精神特质;再往后,现实 Fundamentally speaking, the vitality of modern and contemporary art stems from the enormous tension between the “old system” and the “new feeling” of the period of drastic social change. As far as Western art is concerned, the confrontation between this “new” and “old” directly in the art can be traced back to at least David. The antithesis between David’s “neoclassical” and “Rococo” is above all the opposition between the “bourgeois” responsibility of the emerging bourgeoisie and the aristocracy’s “pleasure” Behind the fierce confrontation between the “Line” and the “Color” that broke out subsequently was the very different spirit of the social mainstream represented by Angers and the skepticism represented by Delacroix. The future, reality