大概是为了归纳和叙述的方便,一般习惯于用题材来对苏联戏剧进行分类。于是就有了诸如生产题材、战争题材、农村题材、伦理道德题材……等的名目。但后来人们又逐渐感到,戏剧题材之间的界线越来越具有相对性。而原因恰恰在于近年来伦理道德的探索,越来越渗透到了各种情节内容的戏剧作品中去,这就象一位苏联青年剧作家说的:“归根到底,所有的剧本都是在表现一样东西,那就是:在人们中间和人的自 Probably for the convenience of induction and narration, it is customary to classify the Soviet drama by theme. So there are such topics as production themes, war themes, rural themes, ethical themes ... ... and so on. Later, however, people gradually realized that the boundaries between dramatic themes are becoming more and more relativistic. The reason is precisely that the exploration of ethics in recent years has increasingly infiltrated drama productions of various plot contents, just as one Soviet youth drama writer said: "Ultimately, all the plays are performed the same Things, that is: among people and from people