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戏剧符号学是一门萌芽于20世纪初并结合了结构语言学和形式主义文学批评的学科。鉴于荒诞派戏剧语言的枯燥性,符码表达至关重要。本文以《等待戈多》为例,分析了剧中相关符码的作用,以帮助读者多角度理解剧本。
Semiotics of Drama is a discipline that began in the early 20th century and combines structural linguistics with formalistic literary criticism. Given the boring nature of the absurd theater language, symbolic expression is crucial. This paper takes Waiting for Godot as an example to analyze the role of related symbols in the play so as to help the readers to understand the script from multiple perspectives.