济慈的“消极能力说”是他诸多诗学命题之一,其内涵虽已多有学者研究,但其中包含的住客关系仍有待发掘。消极能力说并不仅限于对诗人个性的否定,它表达的是诗人作为创作主体,与客体间的互动与交融的关系。本文从客体,诗人,及主客关系三方面,以《秋颂》为典型文本,试浅析消极能力说的内涵。 Keats’s “Negative Competence Theory” is one of his many poetic propositions. Although many of his connotations have been studied by scholars, the guest relations still contained in it have yet to be explored. Negative ability theory is not limited to the negation of the poet’s personality. It expresses the relationship between the poet as the main body of creation and the interaction and blending with the object. This article attempts to analyze the connotation of negative abilities from three aspects: the object, the poet and the relationship between subject and object.