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明末清初,在钱谦益的鼓励奖掖下,钱龙惕、石林道源诸人开启了李商隐诗笺注之风。新发现的国家图书馆藏民国八年(1919)木活字本《大兖集》卷下所收钱龙惕《朱注李义山诗集序》、《复石林长老论注李商隐集书》等文,详载清初李商隐诗集钱龙惕注本、石林道源注本的成书过程及与朱鹤龄注本之间的关系,为重新考察清初李诗笺注提供了新的史料依据。钱龙惕在梳理古籍笺释“四法”的基础上,提出了“三难”、“三善”的笺释理念,为石注本、朱注本所承继,并对后世李诗笺释产生了一定的影响。
In the late Ming and early Qing dynasties, under Qian Qianyi’s encouragement awards, Qian Long Ti, Shilin Tao Yuanzhuo started the style of Li Shangyin’s poetry. The newly discovered National Library of the Republic of China in eight years (1919) wood type characters “big Yan set” volume of money collected Long Ti “Zhu Note Li Yishan poetry collection”, “Fu Shilin Chang Shu Li Shangyin set of books” and other text, detailed In the early Qing Dynasty, Li Shangyin’s poetry collection Qian Long Ti, Ben Shilin source note of this book into the process and the relationship with Zhu Heling note, to provide a new historical basis for the re-examination of the early Qing Dynasty Li Shi notes. On the basis of combing the ancient notes, “Four Laws”, Qian Long Ti proposed the notion of “three difficulties” and “three benevolences”, which is inherited by Shi Benben and Zhu Benben, Later generations of Li Shi Jian interpretation had a certain impact.