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以塞尚的绘画为界,20世纪初人们将艺术分为“传统艺术”与“现代艺术”两大类别,评判艺术作品好坏优劣的标准也由此而发生了重大的改变,即我们观赏与认定传统绘画与雕塑艺术作品时的准则,完全不同于现代绘画装置、行为与传媒艺术,它们存在各自不同的判别方式与准绳。塞尚之后的时代,西方现代主义艺术家与评论家决心与传统艺术决裂,并颠覆传统艺术。我自16岁进入美术学院附中始,在学院的欧洲传统绘画体系中接受教育与绘画基础技能的训练。20世纪80年代在法国兼容并包的学习经历,开拓了我的视野。当我站在作品面前,知道不同
To Cezanne’s painting as the boundary, the early 20th century people art will be divided into “traditional art ” and “modern art ” two categories, judging the merits of good and bad works of art standards also resulted in a significant Change, that is, when we watch and recognize the traditional painting and sculpture works of art guidelines completely different from the modern painting installation, behavior and media art, they exist different judgments and criteria. In the post-Cezanne era, Western modernist artists and commentators resolved to break with traditional art and subvert traditional art. Since I was 16, I entered the middle school of Fine Arts and began training in the college’s traditional European painting system with basic skills in education and painting. In the 1980s, my experience of inclusive learning in France broadened my horizons. When I stand in front of the work, I know the difference