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在二十世纪五十年代,随着波普艺术在英国的萌发,在美国的兴起,以及众多的艺术家对波普艺术的推崇,从而掀起了一片又一片波普艺术的浪潮。“艺术应反映日常生活,日常生活应表现在艺术之中”是波普艺术的宗旨,也是众多波普艺术家的宗旨。对波普艺术影响最大的非安迪·沃霍尔莫属了,他是波普艺术的倡导者和领袖,也是二十世纪最有影响力的明星艺术家。文章通过对其作品的分析,从流行元素的运用、重复的创作手法、摄影与艺术作品的融合三方面得出对艺术的思考。
In the 1950s, with the popularization of pop art in the United Kingdom, the rise in the United States, and the respects of pop art by many artists, a wave of pop art popularized again and again. “Art should reflect everyday life, daily life should be manifested in art ” is the purpose of pop art, but also the purpose of many pop artists. Non-Andy Warhol, the most influential pop art genre, is an advocate and leader of pop art and one of the most influential celebrity artists of the twentieth century. Through the analysis of his works, the article draws his thoughts on art from three aspects: the application of popular elements, the repeated creative techniques and the integration of photography and works of art.