论文部分内容阅读
审美接受不确定性是阅读中的重要现象,理论探讨之,对作品意义阐释、文艺论争等具有重要指向性意义。接受美学、现象学和解释学将成为此新论域的重要理论源泉。阅读现象学家伊瑟尔曾说:“文学作品有两极,可将它们称为艺术的和审美的;艺术的一极是作者的本文,审美的一极是由读者完成的实现。”“作品本身既不等于本文,也不同于本文的实现,它必须被确定在两者之间的中途点上”
Aesthetic acceptance of uncertainty is an important phenomenon in reading, the theory of the discussion, interpretation of the meaning of the work, literary and artistic controversy, and so has an important point of significance. Accepting aesthetics, phenomenology and hermeneutics will become the important theoretical source of this new discourse. Isere, a phenomenologist of reading, once said: “There are two poles in literary works that can be called art and aesthetic; one pole of art is the author’s text and the aesthetic pole is accomplished by the reader.” “ ”The work itself is neither equal to this article, nor the implementation of this article, it must be determined at halfway point between the two"