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书法与国学的关系,在今天面临着尴尬:一面是书法视觉化倾向,其实质是去文化的,另一面是国学在整个教育体制中的弱化、碎片化地位,使得今天的书法除了技术性的展示和造型上的追求外,明显的缺乏文化上的依傍,一些有识之士为此提出国学修养与当代书法关系的命题,大概就试图通过这种方式来探讨解决当今书
The relationship between calligraphy and Sinology is facing embarrassment today. One side is the visual tendency of calligraphy. Its essence is to go to culture. On the other hand, the weakening and fragmentation of Guoxue in the whole education system makes the calligraphy of today not only technical display And modeling the pursuit of the obvious lack of cultural dependency, some people of insight for this proposition raised the relationship between Chinese culture and contemporary calligraphy, presumably in this way to explore ways to solve the current book