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1985年,瑞典皇家学院宣布将当年的诺贝尔文学奖授予法国“新小说”派的克洛德·西蒙,这条新闻不仅使法国作家侧目而视,也使世界文化界深感意外。在具有世界影响的法国“新小说”派中,就资格而言,克洛德·西蒙远不如娜塔丽·萨洛特老,就名声与作用而言,又不如罗伯-葛利叶大,就其创作量之丰富与“新小说”手法之多变,也比不上米歇尔·布托,自50年代“新小说”派形成以来,克洛德·西蒙的文学座次从来都是排在以上
In 1985, the Royal Swedish Academy announced the award of the Nobel Prize for Literature to Claude Simon of France’s “New Novel”, which not only exposed French writers to the glare but also surprised the world cultural community. Claude Simon, as far as Natalie Salotte is concerned, is far less qualified in terms of his reputation and role in terms of qualifications in the fictional French novel Fictionalism with world influence. Ye Daguo, the richness of his creation and the change of his style of “new novels” can not compare with Michelle Bhutto. Since the formation of the “New Novel” in the 1950s, Claude Simon Literary seating has always been ranked above