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十七世纪欧洲古典主义时期,法国著名的喜剧家莫里哀(1622—1663),他在自己的代表作《伪君子》一剧中塑造了一个遐迩皆知、亘古不朽的反面人物形象——答丢夫。答丢夫是全剧的中心人物,一个典型的伪君子。莫里哀通过这个典型形象,深刻地揭露了当时教会和贵族上流社会的伪善、狠毒、荒淫无耻与贪婪的本性,有力地批判了宗教伪善的欺骗性和危害性。答丢夫这个名字已成为伪善者、“故作虔诚的奸徒”的代名词。
During the period of European classicalism in the 17th century, the famous French comedian Moliere (1622-1663), in his masterpiece “The Hypocrite”, shaped a far-reaching, immortal and negative figure husband. A lost tune is the center of the play, a typical hypocrite. Through this typical image, Moliere profoundly exposed the hypocrisy, vicious, cruel and greedy nature of the church and aristocratic society at the time, and effectively criticized the deceptive and harmful nature of religious hypocrisy. Answer: The name of Loser has become synonymous with hypocrisy and “premedication of devout adultery.”