【摘 要】
：
戏曲艺术以“唱念作打综合表演”为中心,程式作为戏曲的核心,直接或间接来源于生活,承载着戏曲的主干脉络,具备规范化的涵义。程式作为戏曲文化艺术的重要载体,深谙“中庸中
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戏曲艺术以“唱念作打综合表演”为中心,程式作为戏曲的核心,直接或间接来源于生活,承载着戏曲的主干脉络,具备规范化的涵义。程式作为戏曲文化艺术的重要载体,深谙“中庸中和”之道,具备“大写意”美学精神。可以说,戏曲没有程式就没有“虚拟”时空,没有“虚拟”时空,戏曲便达不到“大写意”的境界。
With the theme of singing and singing, the program, as the core of drama, derives directly or indirectly from life and carries the main line of drama. It has the standardization meaning. As an important carrier of the art and culture of opera, program is well versed in the doctrine of “moderate doctrine of neutrality” and has “aesthetical sense” aesthetic spirit. It can be said that the opera has no program, there is no “virtual ” space-time, there is no “virtual ” space-time, the opera will not reach “uppercase meaning ” realm.
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