学书写字之途,当属苦旅,高无止境,令人寻绎难穷,成功与否,取决于兴趣、理念、悟性、意志等诸多因素。我始终以师古入法、意韵洵美、内外兼修、静心简达的心清迹清的路径前行着,受益匪浅。历史上凡有作为、有影响的大家,无不在法度上作文章、下功夫。入古越深,其字迹越纯、越清、越耐人品味。在这方面,赵孟頫当是杰出的典范,他崇尚“二王”、恪守古法,研古思今,广博通会,其“复古”之举,对元代之后书法艺术产生了巨大影响,引诸多书家终身以超越赵孟頫为目标。时下,社会飞速发展,经济文化繁荣,虽然给书法艺术的发展带来了生机,但多元化、快节奏又催生了飘、粗、狂、野、丑的骄躁之气。鉴此,张荣庆先生曾大声疾呼,学书没有任何捷径可走,“二王”是绕不过去的,写字之途,古法不可弃, The way to learn to write and write is undoubtedly a journey of brilliance, endless, inexorable, successful or not, depending on many factors such as interests, ideas, understanding and will. I have always been benefiting from the ancient path of studying in ancient China, meaning being beautiful, internal and external, meditative and concise. Everyone who has done something in the history, influential everyone, all make a fuss about the law, work hard. The deeper into the ancient, the more pure and its writing, the more clear, the more resistant to taste. In this respect, Zhao Meng-te was an outstanding example. He admired “Wang Wang ” and abided by the ancient law, studying ancient Gusi, Guang-guang association, and his “vintage” move. Huge influence, cited many books for life to exceed Zhao Mengfu as the goal. Nowadays, with the rapid development of society and the prosperity of economy and culture, the development of calligraphic art has brought vitality to its people. However, its pluralism and fast pace have given birth to the arrogance of floating, thick, mad, wild and ugly. In view of this, Mr. Zhang Rongqing has been loudly crying, learning no shortcuts to go, “Two Kings ” is around, the way to write, the ancient law can not be discarded,