自上世纪末以来,云南一直致力于电影对其地方文化与民族文化进行新的自我阐述与影像塑造,“红河三部曲”堪称其中最为引人瞩目的现象。同由红河拍摄的另一部电影与“红河三部曲”之间构成了一种内在逻辑,以另一种方式构建了一个关于云南的影像文本。这部电影就是《别姬印象》。 Since the end of the last century, Yunnan has been devoting itself to movies to make new self-descriptions and image-building of its local culture and national culture. The “Red River Trilogy” is one of the most remarkable phenomena in the world. Another movie with the Red River constitutes an internal logic between it and the “Red River Trilogy,” and in another way, it builds an image of Yunnan. This movie is “Bie Ji Impression.”