论文部分内容阅读
曾在荧屏和银幕上大行其道的“高大全”脸谱式人物形象在如今这个多元化的世界里已越来越为人们所排斥,而类似《欺诈猎人》《反叛的鲁鲁修》以及韩国导演朴赞郁的复仇三部曲之类的作品却开始深受观众的欢迎。
Once upon a screen and screen popular “tall” “masquerading ” Facebook figure character in today's diverse world has been increasingly rejected by people, and similar “cheat hunter” “rebellious Lelouch” and South Korea Director Park Chan Wook's revenge trilogy and other works have begun to be welcomed by the audience.