当下是一个喧闹的时代、一个节奏转换的时代。到了21世纪,现代派音乐的优势已经开始让位给当今众多风格迥异的“新”音乐。本文对当代瑞士作曲家梅拉·梅尔汉斯的两首声乐作品《A-a》、《奥菲欧》进行创作与演唱分析,其目的在于引起我们对这位作曲家及其作品的关注,加深我们对当代瑞士作曲家作品的认识与理解,同时也期望能够对当代音乐作品的教学和演唱实践起到一定的参考、借鉴作用,并推动瑞士当代作曲家作品的传播与发展。 The moment is a noisy era, an era of rhythm conversion. By the 21st century, the advantages of modernist music have begun to give way to many of today’s “new” music styles. This article analyzes the creation and singing of two vocal compositions by contemporary composer Mella Merhans, “Aa” and “Orfeo”, aiming to arouse our concern and deepenment about the composer and his works Our understanding and understanding of contemporary Swiss composers’ works also hope to provide some reference and reference for the teaching and singing practice of contemporary musical works and to promote the dissemination and development of contemporary composers in Switzerland.