究竟是什么力量促使小说家们坐下来写一篇作品,长期以来这一直是个迷,在当今文艺心理学日趋繁荣的走向中,也似乎仍是一个盲区.按照传统心理学的认识,“动力”问题所涉及的也就是心理动机.人类的每一项活动都为其各自的动机驱动,小说创作目然也不例外.阿·托尔斯泰曾指出:“艺术作品就是从愿意去创作,去写作什么东西而产生出来的,而不仅仅是由于他觉得应该去写作什么东西而才产生的.艺术和科学的动机的区别就在这里.”他认为,“科学——这是认识、经验、经验的总和、观念、发现.艺木——则是表现在形象和感觉里的个人生活的经验.”诚然,从这位苏联作家说出这番见解至今,整整半个多世纪过去了.伴随着现代活动心理学与情感心理学的产生与发展,从事艺术创作的人们不仅对动机在创作 What forces actually prompted the novelists to sit down and write a work has long been a mystery and seems to be still a blind spot in today’s increasingly prosperous literary psychology.According to the understanding of traditional psychology, The problem is also involved in the psychological motivation of each of human activities are motivated by their own motivation, novels are no exception.A Tolstoy has pointed out: “The art work is from willing to go creative Writing something, and not just because he felt he should go to writing what is the difference between art and science motivation here. ”He believes that“ science - this is knowledge, experience, The sum of experience, the concept, the discovery, the art wood - is the experience of personal life manifested in the image and feeling. ”It is true that from the Soviet writer this view so far expounded, more than half a century has passed. With the emergence and development of modern activity psychology and sentiment psychology, people engaged in artistic creation are not only creative in their motivation