论文部分内容阅读
传统人物画在发展变迁的过程中渐趋分化为肖像、道释、故实、风俗等门类。其中,故实画一门传统悠远,以往圣旧闻、历史典故、古贤轶事、神仙逸话等为绘制内容,名家辈出、累世相传。综合考察故实画,其核心在于绘画是“故实”内质,而画题正是故实的传达和表现。因此,对故实画画题的研究是把握这一类绘画的关键所在。本文在对故实画相关概念的辨析基础上分析了早期带有礼教特征的故实画,以及故实画的情节性、画题拓展与构图变化,并分析了《广川画跋》中的画题实证方法。
Traditional figure painting in the process of development and change gradually become portraits, Taoism, so reality, customs and other categories. Among them, it is actually drawing a traditional distant, past old news, historical allusions, ancient anecdotes, fairy tales, etc. for the content of the drawing, famous in many generations, handed down from generation to generation. Comprehensive study of the real picture, the core is that the painting is “so the real ” endoplasmic, and the painting is the real expression and transmission. Therefore, the study of the real painting is the key to grasp this kind of painting. Based on the analysis of the related concepts of real painting, this paper analyzes the early real painting with the characteristics of the etiquette, the plots of the real painting, the expansion of the painting and the composition changes, and analyzes the evidence of the painting in “Guangchuan’s Painting and Calligraphy” method.