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我国戏曲剧种,在表演方法上既有共同之处,也因不同剧种而风格特色各异。壮剧就是以其浓郁的壮族表演风格,在戏曲舞台上独树一帜。然而,对于壮剧的表演形式,在过去很长一段时期里,曾有过许许多多的争论。有的说,壮剧应当借用其他戏曲剧种程式来塑造舞台形象;有的则说,壮剧应是歌剧式的;有的甚至说:壮剧似乎就没有什么表演程式,只不过是话剧加唱;有的笼统地说:怎样好就怎样搞……众说纷纭。搞理论研究的人则概括性地明确指出:壮剧表演必须要有自己本民族的风格特色。但是,何谓
The operas in our country have both common features in performance methods and different styles and styles due to different operas. Zhuang is based on its strong Zhuang performance style, unique in the drama stage. However, there have been many controversies over the long form of performance of the drama. Some say that Zhuang plays should borrow other programs of drama to shape the stage. Others say that the Zhuang plays should be opera-style. Some even say that the Zhuang plays do not seem to have any performance programs, ; Some general say: how to do a good job ... ... different opinions. Those who engaged in theoretical research pointed out in a clear and concise manner that the performance of Zhuang drama must have its own style and characteristics of the nation. But what is it?