解构男性话语权威绝不仅仅是女性主义叙事学及具有女性意识的作家的目标所在,建构才是目的。继续我们对《叔叔的故事》的文本解读,尽管我们具体探讨过文本中叙述者对于男性话语权威的解构,然而我们不得不正视的是女性的话语权威却并没有相应的在文本内建构起来。实际上,小说文本内女性人物的话语总体上是缺失的,而这正如实地反映了当今中国社会女性言说的境况,即仍旧处于一种失语或沉默的状态。不过,女性作家本人却通过一种自觉主观化的话语和近乎执拗的言说方式在从现实世界到文本虚拟世界的交界面建构起了一种特殊的女性话语权威——女性叙事的话语权威,也许在一定意义上我们可以把它看作是中国女性真正建构起自己全方位的话语权威的先导。 Deconstruction of male discourse authority is by no means the goal of feminist narratology and feminine writer, and construction is the goal. To continue our text interpretation of Uncle’s Story, though we specifically discuss the deconstruction of male discourse authority by the narrator in the text, we have to face the fact that women’s discourse authority is not constructed in the text accordingly. In fact, the discourse of female characters in the text of the novel is generally absent. This truly reflects the current situation of women in Chinese society, that is, they are still in a state of aphasia or silence. However, the female writer himself constructs a special discourse authority of female discourse, the discourse authority of female narration, perhaps through a consciously subjective discourse and near-stubborn speech at the interface from the real world to the textual virtual world In a certain sense, we can regard it as the forerunner for Chinese women to really construct their own full range of discourse authority.