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文字无疑是一种特定文化所约定的物质代码,但汉字作为一种表意象形的文字系统,即从传统美学的观点上看,也是在既作用于表意的同时,又服务于视觉形式的联想和想象。汉字本身所包括的意义,已经远远超出了语言符号的范畴。在新潮艺术家们看来,文字,不过是一个可以任意截取的符号,它能够借以表达新的艺术观念和进行新的视觉艺术实验。对文字的注意使用,也同时意味着对权力和传统更进一层的反叛与颠覆。
The text is undoubtedly a material code agreed by a particular culture. However, as a pictographic system of pictographs, Chinese characters, from the point of view of traditional aesthetics, are also ideals, ideals, ideals, Imagine. The meaning of Chinese characters themselves has gone far beyond the category of language symbols. In the eyes of trendy artists, the text, but it is an arbitrary interception of symbols, it can be used to express new artistic ideas and new visual arts experiments. The use of words for attention also means that the powers and traditions go one step further in rebellion and subversion.