本文论述了汤显祖《牡丹亭》上世纪80年代两个主要改编本的文本改编。丁修询改编、江苏省昆剧院本《还魂记》运用细节造势并通过象征、对比等手法来营造出浓缩而合理夸张的艺术空间,彰显传奇性;北方昆曲剧院改编本则在语言的改编上极富北昆特色。两个改本各有特色,代表了当代《牡丹亭》两种不同侧重改编本的约略风貌。 This article discusses the adaptation of Tang Xianzu’s “Peony Pavilion” two major revisions of the 1980s. Ding’s adaptation, the Kunqu Opera Theater in Jiangsu Province, the “Remembrance” use the details of the momentum and through the symbolic, contrast and other techniques to create a concentrated and reasonably exaggerated art space, highlighting the legendary; Northern Kunqu Opera Theater adapted from the adaptation of the language Very rich characteristics of North Queensland. Two versions have their own characteristics, on behalf of the contemporary “Peony Pavilion” two different emphasis on adaptation of the approximate style.