我最近看了广东电视珠江台播出的粤剧《义释薄情郎》(下简称《义》剧),由此想到一些有关粤剧改革的问题。《义》剧的大概内容是:女子崔金花中秋夜泛舟游湖,与公子文天宝相遇,两人一见钟情并订下婚约。后来崔家遭奸相所害,金花与兄长投奔桃花山的夏寨主,伺机报仇。文天宝要上京考武举,唯恐被崔家牵连,曾致书金花 I recently read the Cantonese opera “Emotional Lovers” (hereinafter referred to as “Yi” drama) broadcast on the Pearl TV Station of Guangdong TV. This reminds me of some issues concerning the reform of Cantonese opera. “Righteousness” about the content of the show is: Cui Jinhua woman go boating in the autumn lake, and his son Wen Tianbao met, they love at first sight and set a marriage contract. Cui later was the victim of adultery, Golden Flower and his elder brother Peach Hill Xiazhai Lord, an opportunity to take revenge. Wen Tianbao test martial arts move to Beijing, lest Cui be implicated, had caused the book Golden Flower