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《宣和画谱》卷十《山水叙论》有云: “岳镇川灵,海涵地负,至于造化之神秀,阴阳之明晦,万里之远,可得之于咫尺间,非其胸中自有丘壑,发而见诸形容,未必如此。且自唐至本朝,以画山水得名者,类非画家者流,而多出于缙绅士大夫”。 在一般的意义上讲,文人士大夫阶层最初关注于山水画的创作并激发山水画的发展,确实如徐复观先生所曾经指出:“中国的山水画,是在长期专制政治的压迫,
“Xuan He and Paintings” Volume 10 “Landscape Syria” goes: “Yue Zhen Chuan Ling, Hai Han to negative, as the god of good fortune show, Yin and Yang of the dark, far away, can be in close proximity, not its own chest in the chest In the Tang Dynasty, the name of the artist who painted the landscape and the non-painter of the class flowed, but more than that of the Gentleman’s doctor. In a general sense, literati and elite classes initially focused on the creation of landscape paintings and aroused the development of landscape paintings. Indeed, as Mr. Xu Fuguan once pointed out, ”China’s landscape paintings are based on the oppression of long-term authoritarian politics,