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在电视剧《上海一家人》中,李若男究竟选择谁作她的丈夫,始终是故事的中心情节;至少有七个男人先后参加了由剧作者幕后指挥的这场“爱情游戏”。但剧作者告诉我们,该剧不是“婚恋交响曲”,在这里,爱情婚恋统统是表面文章,是浮在历史长河水面的一朵朵爱的浪花。那么,在它的下面流动的是什么呢?如果进一步追问下去,我们就会发现,李若男对个人婚恋对象的选择,实际上暗示了剧作者面对某种价值原则的历史性变迁所发生的思考和困惑。从某种意
In the series “Shanghai One Family,” Li Ruonan who choose to be her husband, is always the story of the plot; at least seven men participated in the drama director behind the “love game.” However, the dramatist tells us that the play is not a “symphony of marriage,” where love and marriage are all superficial and are blossoming love waves floating on the water of history. What then flows underneath it? If we ask further, we will find that Li Ruonan’s choice of individual marriage and love objects actually suggests that the dramatist should face the historic changes of some kind of value principle Thinking and confused. From a certain meaning