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花卉、侍者、四神、墓主人像、神禽瑞兽等四川宋代画像石室墓装饰主流图像题材,在墓葬中的配置存在规律性,形成较为稳定的图像配置模式。在丧葬的世俗化转向下,为了贯彻孝道使祖先永为供养,同时也为了规避厚葬所带来的盗墓风险,宋人选用具有“永固”象征意义的材质为载体表现具有象征意义的图像组合,以象征的手法为先人营造延续各种现世享受的死后世界,但这种贯彻孝道的行为也具有“互利”的考量,希望以此获得先人的保佑延福子孙。
Flowers, waiters, the four gods, portrait of the tomb owner, god birds and animals and other Sichuan Song Dynasty portraits of stone tomb decoration mainstream image theme, there are regularities in the configuration of the tombs to form a more stable pattern of image configuration. Under the secularization of funeral, in order to carry out the filial piety to make the ancestors eternal support, but also to avoid the risk of grave burial brought about by the grave burial, Song chose the symbolic material with symbolic meaning Image combination to symbolize the pioneer to create a continuation of various worldly enjoy the post-mortem world, but this filial piety behavior also has “mutual benefit ” considerations, in the hope of obtaining the ancestors bless Fu Yanfu.