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以全面深化改革为动力,进行制度层面和剧目生产层面的创新,是党的十八大为包括戏剧在内的文化发展指明的方向。因而,戏剧在这一年中的发展,也是与改革,与制度分不开的。准确地说,是制度建设的红利释放推动了创作,改制院团、非改制院团和民营剧社齐头并进,戏剧创作格局和题材的结构调整开始趋于合理,剧目生产开始谋求多元化发展,其美学形态、叙事模式、各种商业元素的介入与融合等方面,都出现了较为理想的尝试与收获。
To deepen the reform as a driving force, carrying out institutional level and repertoire innovation is the direction of the 18th CPC National Congress as a cultural development including drama. Therefore, the development of drama in this year is also inseparable from the reform and the system. To be exact, the release of bonuses of institution-building promoted the creation. The restructuring of non-reform institutions and non-state-run drama clubs went hand in hand. The structure of drama creation and the structural adjustment of the theme began to be rationalized. Repertoire production began to seek diversified development. Aesthetics, narrative mode, the involvement and integration of various commercial elements, there have been more ideal attempts and gains.