在世界民族艺术之林中,独具特色的中国山水、花鸟画,有着一千多年的传统,历代大师辈出,各领风骚。仅就存留至今的历代名家名作,表现领域之广,技艺之高,足以令人叹为观止。在我国绘画史中已是层出高峰的山水、花鸟画再上新台阶,绝非轻而易举之事。这几乎是山水、花鸟画家和美术评论家们的共识. 五十年代初,根据当时文艺政策的要求,山水画家们往往用自己所掌握的树法、皴法等程式画法进行创作.只是在画面上的适当位置安排上汽车,电塔、现代桥梁、水渠、渡槽和点景人物……花鸟画家们,除表现花与鸟之外,通过点缀草帽、毛巾,甚至用工笔牡丹后面衬以炼钢高炉的方法,即所谓“旧葫芦装新酒”的方法进行创造,以求“反映现实生活”,“体现山水、花鸟画的时代感”。那么,山水花鸟画的创造有无“新葫芦装新酒”的途境呢? 记得六十年代初,偶见王盛烈先生山水画新作《黄洋界》,这件作品没有套用传统皴法,而是以黄洋界实景为模 In the world of national art in the forest, unique Chinese landscapes, flowers and birds painting, has a tradition of more than a thousand years, master masters in history, each leading the way. Only to keep the famous masterpieces of all ages, the performance of the field of wide, high skill, enough to astonish. In the history of painting in our country, it is already a mountainous landscape, and it is by no means an easy task for flowers and birds to go to new heights. This is almost the consensus of landscapes, flower and bird painters and art critics in the early 1950s, according to the requirements of literary policy at that time, landscape painters often use their own grasp of tree law, law and other methods of painting method of creation. On the right place on the car, electric tower, modern bridges, drains, aqueducts and point King character ... ... flower and bird artists, in addition to the performance of flowers and birds, through the dotted straw hat, towel, Blast furnace method, the so-called “old gourd new wine” method to create, in order to “reflect the real life” and “reflect the landscape, bird and flower painting of the sense of the times.” Then, the creation of landscape flowers and birds with or without “new gourd new wine” way? I remember the early sixties, occasionally Mr. Wang Shenglie landscape painting new work, “Huang Yangjie”, this piece does not apply the traditional method, but yellow Foreign real model