《全民目击》在结构上是通过多视角的叙事,来全景式的展现整个事件,是个更客观的方式。四十岁才执导了第一部电影的非行,应该算是“大器晚成”那一型的导演。在自己的银幕处女作《守望者:罪恶迷途》之前,非行已在电视剧行业摸爬滚打近十年。虽然名利皆有,但只要没拍成电影,他便一直把自己归在“怀才不遇”的那群人中。非行这十年的蛰伏期,恰好是华语电影业最蓬勃的时代。如今再看,当年他所怀的“才”的确未“遇”最好的时机。从《守望者:罪恶迷途》到《全民目击》,非行所擅长的类型是迫近现实的犯罪悬疑片,而在很长一段时间里,国内电影审查部门对现实的“阴暗面”很敏感。完成于1 999年的《守望者:罪恶迷途》剧本,根本无法通过当年的“电审”。犯罪悬疑片,这个在好莱坞非常成熟的商业类型,因为国内在题材审查上的严格控制,一直未能在新世纪初开始产业化的华语电影市场获得萌芽的机会。国内观众这几年能吃的“莱式”就那么几样,爱情片、喜剧片和古装动作片。 “National Witness” is a more objective way of displaying the entire event through a multi-perspective narrative structure in a panoramic manner. Forty-year-old director of the first movie directed the non-line, should be considered “late bloomers” that type of director. Before her debut on the screen, “Watchmen: Lost in Sin,” Afro-American has been frenzied in the television industry for nearly a decade. Although both fame and fortune, but as long as no movie, he has always put himself in the “unrecognizable” group. The dormant period of non-line this decade, happens to be the thriving era of the Chinese film industry. Now look again, when he was pregnant “Talent ” is indeed “Encounter ” the best time. From “Watchmen: Lost Sin” to “Everyone Witnessed,” the types of nonprofits that are good at are imminent criminal suspense films, and for a long time the domestic censorship department is very sensitive to the reality of the “dark side.” Completed in 1999, “Watchmen: Saints and Lost” script, simply can not pass the current “electric audit.” The crime suspense film, a very mature commercial type in Hollywood, has not been able to gain the chance of germination in the industrialized Chinese film market at the beginning of the new century due to the strict control over subject matter in China. The domestic audience in recent years to eat “Lai style ” just a few samples, love, comedy and costume action films.