论文部分内容阅读
话剧《我们走在大路上》(2006年)以言语集装箱式的密集叙事实施了一次难能可贵的艺术实验,其编导者试图以此切近“我们向何处去”的时代大题,回应“中国向何处去”的社会总体疑虑。但是,除了来自各阶层“现实”反应和利益谋算之外,未来中国朝向自我更新与再生的动力还有哪些?作为行动主体,各种“我们”能否迸发出或者被召唤出更加积极的公共意志和行动,进而创造出更加激荡人心的生命图景和共同体形态?对于这些主题,话剧《我们走在大路上》却未有更多呈现,而在1985年上演的话剧《WM(我们)》中,它们却恰恰构成了剧中人物向着现实和未来发出的摧心之问。本文所要完成的,一方面是对上述两部话剧进行一次别样的思想勘探和精神考察;另一方面则是尝试着指出,唯有当新的“人·人体系”和“人·物体系”及其贯通机制被创造出来,且有真正普遍的正义观念浸润着世道人心,各种各样的“我们”才可能唱准未来的共同体之歌。
The drama “We Are on the Walk” (2006) implemented a commendable artistic experiment in a verbal container-type intensive narrative, and its director attempted to close the era of “where are we going” “China where to go,” the general social concerns. However, in addition to coming from all walks of life “Reality ” reaction and the calculation of interests, what are the driving forces for China’s future self-renewal and regeneration in the future? As the main actors, can all kinds of “we” burst out or be summoned A more positive public will and action to create a more exciting picture of life and community shape? For these themes, the drama “We’re on the road” but no more presents, and in 1985 staged the play “WM (Us) ”, they just constitute the characters in the play to the reality and the future of the heartbreaking question. This article is to be completed on the one hand is to conduct a different kind of thought exploration and spiritual investigation of the two plays; on the other hand is to try to point out that only when the new “human system” and “people The ”system of things“ and its mechanism of creation are created, and there is a truly universal sense of justice infiltrating the hearts and minds of the people of the world. It is possible for all kinds of ”we" to sing songs of the future community.