西安市秦腔一团根据同名川剧移植的秦腔荒诞剧《潘金莲》上演后,受到戏剧界和广大观众的关注和兴趣。《当代戏剧》编辑部、西安市剧协邀请西安部分剧作家、评论家、戏曲研究工作者于八月初进行了热烈的座谈。大家盛赞《潘金莲》,无论在思想意义上、表现手段上、和潘金莲艺术形象的塑造上都有所创新,是戏曲舞台在不景气的状态下一次有意义的探索和实践。作品鲜明地体现了作者反封建的时代意识,形象而深刻的揭示了潘金莲由一个天真无邪的少女,在封建社会及其伦理道德的残酷迫害下,一步步走向沉沦、犯罪道路的社会根源,一扫以往戏曲舞台上出现的“荡妇淫娃”的潘金莲的恶妇形象,而使这一形象具有重新认识的价 After a staged concert by Shaanxi Opera, “Pan Jinlian”, a Shaanxi opera based on the identical name of Sichuan Opera, Xi’an Opera was given the attention and interest of the theater industry and the audience. The Editorial Department of “Contemporary Drama” and Xi’an Opera Association invited Xi’an opera writers, critics and opera researchers to have a warm discussion in early August. All praised “Pan Jinlian”, both in the ideological meaning, performance means, and Pan Jinlian art image innovation has made innovation in the opera stage in a downturn of a meaningful exploration and practice. His works vividly reflect the author’s anti-feudal consciousness and image of the times, revealing profoundly that Pan Jinlian is a naive and innocent girl who, under the brutal persecution of the feudal society and its ethics, has gradually gone to the social roots of the perilous and criminal ways , Sweeping away the images of the wicked woman Pan Panlian who used to appear on the stage of the drama in the past,