辽宁的戏剧舞台也有过辉煌灿烂的时期。进入“新时期”以后,上海、北京等地由于戏剧舞台观念的不断变革,为戏剧艺术带来了生机和活力,国内戏剧艺术变革的足音,震撼了辽宁剧坛,辽宁的戏剧艺术家们亦在内心积蕴着求变求新的欲望。探索和努力终使较稳固的传统戏剧观念开始松动,在舞台上出现了以传统的戏剧观念为基本特色,新的戏剧观念崛起,新旧观念在某种程度上的相互结合、相互影响的局面。从近年上演的剧目中,可以看到 Liaoning’s dramatic stage has also had a brilliant period. Since entering the “new period”, Shanghai, Beijing and other places have brought vitality and vitality to the theater art due to the constant change of the theatrical stage concept. The footsteps of the domestic drama art revolution have shocked the theater in Liaoning and the theater artists in Liaoning It also accumulates the desire to seek new things in the heart. Exploration and effort have eventually led to a loosening of the relatively stable concept of traditional drama. On the arena, the traditional concept of drama has emerged as the basic characteristic, the rise of new dramatic ideas, and the interaction between the old and the new ideas to some extent. From the staged rehearsals in recent years, you can see