对于一个行为艺术家而言,没必要追问什么是行为艺术。持续的实验本身就是最为准确的答案。这不是定义某个抽象概念,相反,它一方面在拆分和解构一个被机制化或政体化的概念,另一方面则以自我或个体的方式在型塑一个移动的或不确定的非概念的概念。在这个意义上,我想从“行为”到“行——为”或许是周斌近二十年“工作”的一个恰当表征。本文不想对周斌的实验作一系统的梳理,而更 For a performance artist, there is no need to ask what is performance art. Continuous experiment itself is the most accurate answer. This is not to define an abstract concept, on the contrary, it is to split and deconstruct a notion of being institutionalized or regimeized, on the other hand, to model a moving or indefinite non-concept in a self or individual way the concept of. In this sense, I think it is perhaps an appropriate representation of Zhou Bin’s nearly two decades “work ” from “Behavior ” to “Line ”. This article does not want to Zhou Bin’s experiment for a systematic review, but more