任何事物都注定在其“发生”的那一刻定格了自身的本质属性,戏曲也同样如此——无论它如何发展,都绕不开其娱神或娱人的娱乐属性以及围场式的观看方式带给戏曲的创作本质。光阴流转上千年,许多戏曲作品在社会与政治的左右下渐 Everything is doomed at its moment of “occurrence”, defining itself as an essential property, as is the drama - no matter how it evolves, it can not be separated from the entertainment attributes of its amusing or entertaining people and the spectator Ways to bring drama to the essence of creation. Time flow for thousands of years, many opera works in social and political left gradually