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论文以整个中国文化的现代化进程为背景,从文学与时代精神及其自身内部嬗递的矛盾张力中探讨新诗在白话诗、自由诗、现代汉诗三种命名形态下的生成状态和自我建构。
In the context of the modernization of the entire Chinese culture, the thesis explores the formation and self-construction of the new poetry under the three naming conventions of vernacular, free verse and modern Chinese poetry from the tension between literature and the spirit of the times and its own internal transition.