目前小品走俏、形势喜人。然而就在小品倍受观众青睐的情况下,我以为有两种倾向不利于小品健康发展。其一是小品相声化,首先要说明的是,我无意贬低相声艺术,但就相声本身而言,确实也有高雅与低俗之分。一般而言,高格调的相声常靠幽默的语言和演员诙谐的表演给观众带来欢笑,并在笑后留有意蕴,然而有些相声仅是为逗人发笑而不择手段,乃至语言粗俗、表演低劣,这种庸俗化的相声显然不可取。同样,当前的某些喜剧小品,也是由于一味追求所谓的喜剧效果,编者极尽说笑之能事,演员则不惜以耍噱 The current popular small piece, the situation is gratifying. However, in the case of the sketch favored by the audience, I think there are two tendencies not conducive to the healthy development of sketch. The first is the sketch of the crosstalk, the first thing to note is that I do not intend to belittle the comic art, but the comic itself, there are indeed points of elegance and vulgar. In general, high-profile comic dialogues often rely on humorous language and witty performances to bring laughter to the audience and leave behind some meaning after the laugh. However, some comic dialogues are for the sake of amusement, unscrupulous language and poor performance This vulgar crosstalk is clearly undesirable. Similarly, some of the current comedy sketches, but also because of the blind pursuit of the so-called comedy effect, editors can make all the jests, actors are spared no expense