20世纪30年代,作为“舶来品”的话剧在民族化的进程中走向成熟。戏剧形象是标志民族戏剧成熟的质素之一。概括说来,三十年代民族戏剧人物塑造的特点为:意识与潜意识的浮沉转换,常态与变态的心理情感交织。话剧民族化进程中开始注重人物不同心理趋向、性格侧面的展现,呈现出整体性地向“圆形人物”努力的趋势,这直接促成了此类艺术的成熟。 In the 1930s, the drama as “exotic ” matured in the process of nationalization. Drama image is one of the marks of maturity of national drama. To sum up, the characteristics of the national drama characters in the 1930s are as follows: the ups and downs of consciousness and subconsciousness, the interweaving of psychology and emotion of normality and abnormality. In the course of nationalization of drama, the tendency of different psychology trends and characters’ side is started to pay attention, which shows the tendency of trying hard to “round figure” as a whole, which directly leads to the maturity of such art.