论文部分内容阅读
近半个世纪以来的反传统剧作家们将戏剧情节边缘化、戏仿,甚至置换,导致戏剧叙事结构的意义需要重新评价,戏剧叙事结构的性质和功能也随之发生质变。后现代主义剧作家爱德华·阿尔比是较早颠覆传统戏剧叙事结构模式的代表剧作家,本文以后现代主义剧作家阿尔比的三个剧本为例进行三方面的探讨:一、探讨阿尔比戏剧拒斥传统戏剧叙事结构的因果论、目的论,及其对宗教仪式结构的戏仿;二、探讨阿尔比戏剧抽象而又矛盾的叙事建构,由此形成的复调与锁闭式倒叙结构;三、探讨阿尔比戏剧对叙事结构的另类建构,将过去、现在、未来在舞台的并存与身份置换。
For nearly half a century, writers of anti-traditional dramas marginalized, parody, and even replaced the dramatic plots, resulting in the need to reassess the significance of the narrative structure of drama and the qualitative and functional changes of the dramatic narrative structure. The postmodernist playwright Edward Albi is the earlier representative playwright who subverts the traditional dramatic narrative structure model. This article attempts to explore three aspects of Albi’s three plays: First, The theory of causality, teleology and the parody of the religious ritual structure of the traditional dramatic narrative structure; secondly, the abstract and contradictory narrative construction of the Albi theater; the polyphonic and closed flashback structure formed by this; , Explores the alternative construction of narrative structure in Albi theater, and replaces the coexistence and identity of the stage in the past, present and future.